From an intense and expansive opening, via a gloriously controlled slow movement, through to the Finale’s shimmering strings and turbulent climax, this is an interpretation of great passion and strength. Although there is a trace of tape hiss and a slight constriction in sound quality, this is nevertheless awash in colour and dynamism.
Rattle’s current orchestra, the Berlin Philharmonic, made its mark on this work over 45 years ago under erstwhile principal conductor, Herbert von Karajan. Right from the outset, Rattle’s highly polished forces are on show, with the woodwind and, even more so, the brass right on the button as regards intonation and tonal quality, as well as executing the lyrical moments to a tee. The final version received its first performance on November 24 of that year, again under the composer’s baton in Helsinki.ĭuring his tenure as principal conductor of the City of Birmingham Symphony Orchestra, Sir Simon Rattle produced some magnificent recordings and his Sibelius Five is certainly one of them. He revised it twice: in 1916, when the first two movements were amalgamated, and later in 1919. On Aphe wrote in his diary, “Just before 10 to 11 I saw 16 swans – one of the greatest experiences of my life.” As a result, the swinging horn theme in the last movement is said to depict this sighting, which is borne out by a letter from his friend and confidant, Axel Carpelan, referring to “the incomparable swan hymn.” His 50th birthday fell on Decemand he celebrated it by conducting the premiere of his Fifth Symphony in Helsinki.Īlthough it was well received, Sibelius was unhappy with what was then a four-movement work.
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